Confessions II: Madonna Still Owns the Dance Floor

Madonna’s Confessions II is out now. Our verdict on her fifteenth studio album, a proper sequel to Confessions on a Dance Floor.

Twenty-one years after the original, Madonna’s back on the floor she never really left. Confessions II, out today via Warner Records, is her fifteenth studio album and a proper sequel to 2005’s Confessions on a Dance Floor — same collaborator in Stuart Price, with Arca and Andrew Watt pitching in on production this time round. The whole 63-minute record is mixed as one continuous ride, no gaps between songs. You don’t skip through this one. You just let it run.

What It Sounds Like

Forget the glossy disco-pop of the 2005 record — this one digs into something tougher and more physical, closer to the Detroit and Chicago end of house music. It suits her. Scattered through the tracks are little spoken-word moments, Madonna talking her way into each song before the beat properly arrives, and it’s these bits that give the record its edge — they make it feel personal rather than just a set of dance tracks stitched together. The production is razor-sharp throughout, confident without ever overreaching.

Madonna performing on the Confessions II tour
Madonna on stage during the Confessions II era. Photo credit: Ricardo Gomes.

Standout Moments

Most of what works here, works because it’s entirely hers — but a couple of guest spots do stand out. “Bring Your Love,” her duet with Sabrina Carpenter, is the clear pop single: instantly catchy, radio-ready, and it earns every bit of the airplay it’s going to get. “Bizarre,” built with Dutch DJ Martin Garrix, is one of the record’s biggest club-floor moments — its lyric about a “Shelby Cobra” reads as a knowing wink at her years with Sean Penn.

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Elsewhere, Belgian artist Stromae turns up on “My Sins Are My Savior,” giving it a moodier, more cinematic pull, while Colombian star Feid features on “Read My Lips,” adding a Latin edge to one of the album’s more direct, no-nonsense tracks.

Madonna reclining on stage during the Confessions II tour
Photo credit: Alex Antonioni.

Then the record shifts gear entirely. “Fragile” is a tribute to her late brother Christopher, and “The Test” is a duet with her daughter Lola Leon — two genuinely tender moments that land harder because of everything that comes before them on the dance floor.

The Verdict

Four decades into her career, still pulling in tens of millions of monthly listeners worldwide, and Madonna isn’t coasting on nostalgia — she’s still setting the pace. Confessions II is one of the most assured, complete records she’s made in years: a dance album with real heart running underneath it, start to finish.

Rating: 5/5

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