The Brisbane River played host to a masterclass in rhythm and resistance last night as the ‘On the Banks’ stage ignited for a dedicated evening of hip-hop. From fierce local truth-telling to international soul-sampling legends, the line-up offered a seamless journey through the genre’s past, present, and future.
Miss Kaninna: Unashamed and Electrifying
Opening the night was the magnetic Miss Kaninna. Her performance was as much a cultural statement as it was a musical one—unashamed, electrifying, and deeply poignant. Between tracks, she offered the crowd vital context, sharing a candid, political viewpoint on her upbringing and the systemic struggles faced by her community.
Her lyricism acted as a bridge between forceful advocacy and a celebration of the women who anchor her culture. A standout moment saw her joined by her brother for a new track; the pair were in flawless sync, delivering a hyper-energised performance that was both immensely powerful and a genuine crowd-pleaser.
Oddisee & Good Compny: Soulful Precision
The energy shifted toward the “delightful” with Oddisee & Good Compny. Leading man Amir Mohamed exuded charm from the first note, laying down a smooth tapestry of chill vibes, hip-hop, and soul. Despite sharing that he is currently fasting for Ramadan, Amir’s energy never wavered.
The band, Good Compny, was exceptionally tight, navigating through rhythmic tones and soulful riffs with surgical precision. It was a sophisticated, solid set that perfectly primed the growing crowd for the evening’s icons.
De La Soul: The Architects of Alternative
As the sun set, the anticipation was palpable. De La Soul took to the stage to rapturous applause, proving immediately why they remain the gold standard for alternative hip-hop. The trio (joined by their live ensemble) ploughed through an expansive catalogue of classics and contemporary hits.
Their veteran status was evident in their effortless crowd work; they didn’t just play to the audience—they pulled them into the performance. By the time they reached their crescendo, the Cultural Forecourt was a sea of moving bodies.
The Verdict
Once again, the ‘On the Banks’ production team delivered. The staging and sound were flawless, providing the technical backbone needed for such diverse acts to shine. It was a night that celebrated hip-hop not just as a genre, but as a vital vehicle for storytelling and connection.
